Publikationer

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The Faculty of Humanities

Department of Aesthetic Studies

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Publications

Published by the research project and/or the Digital Aesthetics Research Centre

NB: English publications only. If you want both Danish and English publications see http://www.interfacekultur.au.dk/publikationer

 

Read_Me
Software Art & Cultures
Olga Goriunova & Alexei Shulgin (eds.), Digital Aesthetics Research Centre, Aarhus, 2004,
397 pp. 248,- kr.
Available through Aarhus University Press

English Working Papers from Digital Aesthetics Research Centre:

Nr 1 – 2004
Kim Cascone
Laptop Music – counterfeiting aura in the age of infinite reproduction
>> Read more (168 Kb)...

Nr 13 - 2006

Matthew Fuller

Softness: interrogability; general intellect; art methodologies in software

>> Read more (381kb)...

Nr 14 - 2006

Kjetil Sandvik

In and out of character

>> Read more (456kb)

Individual publications with relation to the research project

Christian Ulrik Andersen

  • Software Art and Cultures - People Doing Strange Things With Software", i Read_me Software Art and Cultures , 1 udg., Read_me Festival, Aarhus : Digital Aesthetics Research Centre, University of Aarhus, 2004, s. 11-15.

Lars Kiel Bertelsen

  • “The Claude glass: a modern metaphor between word and image”, Word & Image, vol. 20, no. 3, July-September 2004, pp. 182-190.

Morten Breinbjerg

  • "Instrumentness for Creativity - Mediation, Materiality & Metonymy", (m. Pold, S & Bertelsen, O.W.) i Proceedings of 6th Creativity & Cognition Conference , ACM Press
  • "An Acousmatic Composition Environment", (m. Caprani, O., Lunding, R.) i 6 th international conference on New Interfaces for Musical Expression , Frankrig, s. 334-337.
  • "An Acousmatic Music Environment", (m. Caprani, O., Lunding, R.) i ICMC 06 - International Computer Music Conference , International Computer Music Association, USA, 2006, s. 580-584.
  • "Sound in digital media: Symbol or phenomena" , in Skrifter fra Center for Internetforskning , forthcoming.
  • "The Sound Box: an Acousmatic Approach to Sound Composition". MAXIS (II) 2003, International Festival / Symposium of Sound and Experimental Music , 10th - 13th April 2003, University of Leeds, West Yorkshire,UK.
  • "Touch the Sound - the concept of the "object Sonore" as a design metaphor" . Morten Breinbjerg, Ole Caprani, Rasmus Lunding. Proceedings of the International Workshop of " Interaction Design and Children , Eindhoven 28-29 August 2002.

Lone Koefoed Hansen

  • Embodied Imagination",(s.m. Kozel, S.) Digital Creativity , vol. 18 nr. 4, 2007
  • " S taging Perception", M3 - Man, Medium, Machine , vol. 1 nr. 1, s. 144-155, 2006
  • Contemplative interaction: alternating between immersion and reflection. In Proceedings of the 4th Decennial Conference on Critical Computing: between Sense and Sensibility (Aarhus, Denmark, August 20 - 24, 2005). O. W. Bertelsen, N. O. Bouvin, P. G. Krogh, and M. Kyng, Eds. CC '05. ACM Press, New York, NY, 125-128.  
  • Dalsgaard, P., Eriksson, E., and Hansen, L. K. Rethinking information handling: designing for information offload. In Proceedings of the 4th Decennial Conference on Critical Computing: between Sense and Sensibility (Aarhus, Denmark, August 20 - 24, 2005). O. W. Bertelsen, N. O. Bouvin, P. G. Krogh, and M. Kyng, Eds. CC '05. ACM Press, New York, NY, 161-164.

Henrik Kaare Nielsen

  • Youth and the Antinuclear Power Movement in Denmark and West Germany, I: Between Marx and Coca-Cola : Youth Cultures in Changing European Societies, 1960-1980. New York, Oxford : Berghahn Books, 2006. s. 203-223.
  • The Technocratisation of the Field of Cultural Policy and the Role of Critical Research. I: The Nordic Journal of Cultural Policy. 2006 ; nr. 1, s. 137-154.
  • “Civil Society and Social Solidarity”, in A.C.T.S nr. 17, Århus 2003
  • “Critical Public Agent or Hired Hand? Perspectives for Research on Cultural Policy”, in The International Journal of Cultural Policy , Vol. 5, No.2, 1999
  • “Cultural Policy and Evaluation of Quality”, in The International Journal of Cultural Policy , Vol. 9, No. 3, 2003

Søren Pold

  • "Image Technologies", i Andersen, T.R., Rasmussen, J. (red.) Open Shutter , Galleri Image, Aarhus, 2007, s. 118-147.
  • "Instrumentness for Creativity - Mediation, Materiality & Metonymy" (s.m. M. Breinbjerg & O.W. Bertelsen), i Proceedings of 6th Creativity & Cognition Conference , ACM Press, 2007
  • "Writing the Scripted Spaces", IO Internet Magazine , vol. 3, s. 1-18.
  • "The critical interface". In Proceedings of the 4th Decennial Conference on Critical Computing: between Sense and Sensibility (Aarhus, Denmark, August 20 - 24, 2005). O. W. Bertelsen, N. O. Bouvin, P. G. Krogh, and M. Kyng, Eds. CC '05. ACM Press, New York, NY, 109-112. DOI= http://doi.acm.org/10.1145/1094562.1094576
  • "Interface Realisms: The Interface as Aesthetic Form ", in Postmodern Culture, Volume 15, Number 2, January 2005 (restricted access)
  • "Criticism as an Approach to Interface Aesthetics" (with Olav W. Bertelsen) in NordiCHI proceedings , ACM Press 2004, ACM Digital Library
  • "Writing With the Code - a Digital Poetics", Dichtung Digital, 7-2001, http://www.dichtung-digital.com/2001/07/15-Pold/ (subscription required) or here for a pre-print version (without password) (12 ns.)
  • "An Aesthetic Criticism of the Media: The Configuration of Art, Media and Politics in Walter Benjamin's Materialistic Aesthetics" in Parallax ,vol 5, no. 3, 1999, pp. 22-35

 

Bodil Marie Thomsen

  • On the Transmigration of Images: Flesh, Spirit and Haptic Vision in Dreyer’s Jeanne d’Arc and von Trier’s Golden Heart Trilogy. I: Northern Constellations.. London UK : Norvik Press, 2006. s. 43-58
  • "The Performative Acts in Medea and Dogville, and the Sense of 'Realism' in New Media". Gade, Rune og Jerslev, Anne (eds.): Performative Realism. Interdisciplinary Studies in Art and Media. Museum Tusculanum Press: København 2005.
  • "Realism of the Senses – on Ethics, Space, and Event in Lars von Trier’s 1990s Trilogy", in Vesa Oittinen (ed.): Spinoza in Nordic Countries. Spinoza im Norden. Philosophical Studies from the University of Helsinki 5 . Department of Philosophy. University of Helsinki, Finland.

Jacob Wamberg

  • Art & Alchemy, (ed.) København: Museum Tusculanum Press, 2006, 297 sider.
  • ”Exit homo? On Dehumanization in New Images of the Body”, i Arken Bulletin 1,
  • 2002, pp. 31-37. 
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Revised 2012.10.08